SIGNATURE

The art of Peter Bostoen is all about a symbolic representation of the human figure in which the composing volumes form a very balanced unity. In this sense his sculptures are characterized with a recognizable signature.

TRUE TO TRADITION

The bronze sculptures of Peter Bostoen are always made according to the lost wax method. Where a wax sculpture with pouring and venting channels is imbedded into a mold. This mold is heated for 6 days at 580°C so that not only the wax melts but also every organic material is burnt.  This leaves a print in the mold in which the bronze is poured.
 
Then there is still a lot of work to remove the casting skin, pouring and venting channels, patinating and polishing certain parts.  All the finishing work after melting and pouring the bronze is done by Peter himself so that he also has complete control over this final step.

About his work

Observing the sculptures of Peter Bostoen, one can remark his aim for a soft and harmonic line.  He holds on to this sensitive line while he manages to eliminate all features that possibly could disturb it.  This is a real accomplishment.

He also uses geometrical shapes, although never in a prominent way.  His art is all about a symbolic representation of the human figure in which the composing volumes form a very balanced unity.  In this sense his sculptures, the sculptor also represents animals, are characterized with a recognizable signature.

But the main subject in the art of Peter Bostoen is the human figure and his work uncovers a determined style.

Every close observer has to admit that he possesses a creative mind and so does not belong to that group of artists who blame slowly ness on a lack of inspirational energy.  Meanwhile he was also active in the architectural field.  The 2 light pillars at the entrance of the Antwerp Bourla theatre are from his hands.

Peter Bostoen has an impressive list of exhibitions and even into the furthest corners of the world. Africa has a prominent place in this list. He has not only been active as a sculptor but also as an aquarellist although he presently focuses on his sculptures.  His young talent was recognized by the selection of his participation in the national contest Mark Macken for sculptures at the academy of fine arts of Antwerp.

Since his first exhibition in 1979, Peter Bostoen never fled a confrontation with the public, and this not only close to home but even far away in distant countries